I am honored to participate in a special blogathon hosted by the Classic Movie Blog Association by reviewing For Me and My Gal (1942), one of a few films he made with Judy Garland and the first film in which he starred. For a full list of participants and dates, visit this link from CLAMBA.
For Me and My Gal was a fresh break for Kelly, a Broadway actor whom David O. Selznick snatched up on contract. Moviegoers saw Kelly as a fresh face that year, but one with which they were destined to become very familiar as he took the onscreen singing and dancing world by storm. The film made for a lovely pairing with fellow screen great Judy Garland, who by then had already made a dozen or so films and perfected her delivery of the zinging one-liners that make this film, and The Pirate (six years later), so fun.
Like most others of its time, For Me and My Gal was a wartime pep piece, extolling the virtues of self-sacrifice, armed service, support to the troops, the purchase of Liberty Bonds, and the attitude that every individual, male or female, physically fit or impaired, is depended on by his country to make his own unique and valuable contribution to the war effort.
|Harry and Jo try out together for the first time "For Me and My Gal"|
George Murphy (Jimmy Metcalf) is the odd-man-out in this occasion, the all-around good guy whose feelings for Jo set him on to a life path of self-sacrifice and quiet guardianship of both Jo and Harry, whose brash, erratic behavior eventually crashes him in the pits.
|Jimmy Metcalf comforts Jo.|
The ups and downs of the showbiz life are perpetual, but the frustrations of being stuck in the small time are nothing compared to the tragedy and drama of war. Jo's little brother is all set to become a doctor, but like other conscientious men, he decides that his studies should take a back seat to fighting alongside "the other guys" who have gone overseas to keep his country free.
The war is, of course, troubling. It is there casting a shadow over the showbiz climb to the top. It unsettles the audiences and the day-to-day routines of greasepaint and bright lights.
But it is simple enough to push aside and forget as long as the actors can continue to make their entrances and follow their dreams. Eventually, however, the war intrudes on even this sheltered enclave.
Harry's draft notice introduces a full blown life crisis.
|Harry's draft notice arrives.|
Even his theatrical agent can do little to delay the inevitable. After two physical exam delays, Harry simply must find a solution to his problem, or risk losing the Palace, and his girl, forever to the ravages of war. And so Harry, in desperation, in thinking of himself and his dreams and the one he loves, does the unthinkable. He deliberately disables himself in order to gain the temporary reprieve which will allow him to play the Palace and marry his girl.
His selfish act couldn't have come at a worse time. The "good" news of his draft delay comes in the moments following Jo's receipt of the worst news she could have gotten - news from the front that every sister of a uniform dreads. With one look at Harry, his injury, his elation at being delayed, Jo knows instantly the truth that condemns Harry as an ungrateful coward.
"You'll never be big time because you're small time in your heart."
|After her bitter disappointment in Harry, Jo throws herself into entertaining "our boys over there."|
At the loss of his girl, Harry's priorities are re-prioritized. What does the Palace mean if he doesn't have Jo? What does an audience mean when the boys are dying in the trenches? Suddenly, Harry's desperation is not for the Palace, but for the "Pass" from the draft medical board, not for the costumes but the uniform.
But to his panic, Harry discovers that in "temporarily" disabling himself he has, in fact, done permanent and irreparable damage that now disqualifies him from any service.
So it is that, grudgingly, Harry enlists himself in a second class service, touring France as a mere performer. He's "in the right army but wearing the wrong uniform." But it is only within the depths of his despair that Harry finally reconciles the man he thinks he is with the man he wishes he were, and finds that true greatness comes in living a little outside of oneself, in the deep and abiding concern for others, and the arms of the one he loves.
|Harry and Jo, together again.|
Lovely review that goes right to the heart of Harry Palmer - just like Gene's performance.
Thank you, Caftan Woman. :)
Have not seen this but you review here makes me want to give it a try.
Gene & Judy - it just doesn't get any better than that. Separately, they were wonderful, but together - magic. Very nice post!
Nice review. For Me and My Gal is a pretty dramatic musical. Kelly felt a debt of gratitude towards Garland for how well she treated him in his first big role.
Gene and Judy made a wonderful pair in all the movies they made, but Judy's youth, Gene's good-bad character, and the period setting and music make this one special. I like the first half better than the second half, which seems to get derailed by the film's shift toward, as you so nicely put it, a "wartime pep piece."
A nice look at a fun show-biz musical.
I really enjoyed watching Gene Kelly and Judy Garland's, very talented performances in this musical/drama. I thought their songs, "Hello Springtime!" and the singing and dancing in a coffee shop, fun scenes.
Great write-up! I always love watching Gene Kelly and Judy Garland together, even though they never made a film that truly lived up to the combined level of their talents. I agree with other posters, though--the first half of this was more entertaining than the second. Once it gets into full-blown patriotic propaganda mode, things start to go downhill.
Very nice, thanks for sharing.
It's a really enjoyable film, one I haven't seen in ages but felt was better than people thought. Gene and Judy were an ideal couple onscreen, and their rendition of the title song is timeless.
What an excellent review! I only caught part of this film this morning, but what I saw made me wish I'd set my VCR for more than Anchors' Aweigh and On the Town! Your review lets me know that I had good reason.
Enjoyed your piece so much. I haven't seen "For Me and My Gal" in ages and you remind me it's time for another viewing.
I've been gone myself lately but I wanted to let you know how glad I am to see you back blogging again. And to come back and give us such a fun review of a good film.
I love Kelly and Garland together. As a matter of fact. I've got Summer Stock sitting on my DVR. Now if I could just take the time to watch it.
Everyone knows that I'm not a fan of musicals but Judy makes me smile and her songs are so beautiful with that voice that I don't even think about her films being musicals if that makes sense. She was such a hard working girl and Gene was so amazing with his choreography. Put those two together and we get magic.
A wonderful review of one of my favorite Kelly films.
For Me and My Gal is wonderful.
However, George Murphy does such a great job as Judy Garland's father in Little Nellie Kelly (1940) that I feel very uncomfortable with the two of them in romantic relationships [even though he also plays her husband in that earlier film].
Kelly and Garland are wonderful together in this film. The Pirate (1948), though, is my favorite of their mutual projects.
By the way, I've added your blog to my Google Reader. :)
I'm singin' & dancin' in the rain after reading this post.
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